The Innocents takes the well-worn story of characters discovering they have incredible powers and flips it by becoming a deeply unsettling character study

Never before has a film’s title so succinctly summed up a director’s career.

Richard Linklater has a remarkable ability to capture the countless snapshot memories that populate our memories.

Overall, it’s a well-made and impressive film. One that I think is superior to the Nolan films. I’m looking forward to seeing where Matt Reeves takes the series from here.

This is not a cynical look at androids like many other films. It is a hopeful and heartfelt story.

Kimi is a decent attempt to infuse a well-worn story with modern sensibilities and tech.

It’s quite remarkable when a film can be engrossing with only four people in a room.

Part of what makes Slings and Arrows so special is the overall theme of being connected to something bigger than yourself.

There is a strange misconception many people have that animation is just for kids.

There are films where all the essential elements appear to be in place, yet I still don’t connect to what is happening on screen.

Nightmare Alley is a film I admire more than love.

Despite the widespread chaos and uncertainty this year, there were many standout films released.

The Tragedy Of Macbeth is a masterful adaptation of one of Shakespeare’s greatest works.

I can understand why people love this film. It captures the 1970’s without feeling like a pastiche.

There are few viewing experiences more satisfying than when a filmmaker swings for the fences.

When it comes to great debut films, few match the grandeur of Ridley Scott’s The Duellists.