C’mon C’mon is exactly the kind of film I love.
Last Night In Soho is a psychological breakdown of this emphasis so many of us put on nostalgia. What makes it such a wonderful film is the many layers it has beyond the deconstruction of the past.
Censor is a unique and fantastic film that engrossed me throughout its surprisingly short running time.
In many ways Dune is the antidote to the homogenization of Star Wars today.
Tackling Orson Welles is a daunting prospect. His life and career are not only vast, but it’s difficult to pinpoint specific details.
Annette doesn’t revolutionize the language of film musicals, but it does embrace the form in a way that outshines most modern attempts.
Fantasy has become mundane. In an era of Marvel, we are so used to special effects, that they are no longer special.
Edgar Wright’s The Sparks Brothers is one of the most exciting music docs I’ve seen in a long time.
It’s difficult to imagine a major studio funding a film this strange.